An Enemy of the People: Matt Smith says audiences left in tears by new production


Matt Smith

Matt Smith plays a doctor who will not be silenced by his community after he makes a shocking discovery

By Yasmin Rufo
BBC News

Audience members have been left in tears, walked out halfway through and had "full-blown" arguments with each other, Matt Smith has told the BBC of his new play.

The Doctor Who actor is starring in a new production of Henrik Ibsen's 1882 drama, An Enemy of the People.

During the play, audiences are invited to participate in a townhall discussion and ask "whatever they want".

The FT called it a "brilliant idea that drives home the resonance of the play".

In a four-star review, Sarah Hemming said the audience interaction responds to the play's "central issue by giving people a platform for engagement".

However, she added that the section "could be longer and riskier".

The play centres around a medical officer who discovers that the water in his town's spa is contaminated. He decides to speak up about the truth, but his community attempt to silence him as it is not in their interest for this to be exposed.

Speaking to the BBC after the opening night of the show, Smith said he was drawn to this classic play because "the idea of the audience being able to participate has always appealed to me".

"I really want people to come and engage, put their hands up and say whatever they want to," added The Crown star.

The audience's questions, which are entirely unscripted, have already ruffled a few feathers, and Smith said he has witnessed audience arguments, walk-outs and tears.

Matt Smith
    Ibsen's drama has had a rock and roll update

Alice Saville of The Independent noted that the tone of the questioning "is more Gardener's Question Time than explosive LBC phone-in".

In her three-star review, she said there was "no room for real debate or danger" and that the "the targets of the play's actual critique feels frustratingly vague".

The Telegraph's Dominic Cavendish also awarded the play three stars and said it needed "a digital-era upgrade, and a shot more vigour, to set the world on fire".

However, he praised Smith for his performance and noted he was a "natural fit for the role of Dr Stockmann" and "gleams with authority" throughout.

The 41-year-old actor "turns from rebel to self-appointed guru and shows how the truth-teller can himself become corrupted", according to the Guardian's Arifa Akbar.

"His tirade on everything from the postmaster scandal to food banks swings between talking truth to power and loony conspiracy," she wrote in her four-star review.

However, she added that "not all of it works", referencing various scenes which are brushed over and characters that lack development.


'Need courage to speak up'

Speaking on the relevance of the play today, Smith told the BBC "there is a sort of universality to it that stands the test of time" and raises questions about truth. "How do you quantify it? Who's telling the truth? If you're undermining it, does it then dilute it?"

Director Thomas Ostermeier, whose play marks his West End debut, added that he wanted to "promote the idea of how important it is to speak up and even though there are different forces that will try to silence you, you need courage to speak up".

There was a five-star review from Louise Griffin of the Radio Times, who praised Smith for his performance and said his "shining moment" was a "monologue that single-handedly will prompt standing ovation".

"An Enemy of the People is full of contradictions that somehow work," she continued. "It's incredibly serious and incredibly funny, it's messy and meticulous, with characters that are simultaneously moral and morally corrupt."

She also praised other characters including Priyanga Burford who, as Aslaksen, leads the audience questions.

"She easily navigates a sequence that could (and probably will at some point) go badly wrong with humour, tenacity, and incredibly quick wits," Griffin wrote.


Matt Smith
    Paul Hilton has been praised for his role as Smith's establishment brother

Paul Hilton, who plays Smith's onstage brother who is mayor of the town, was also praised for his performance.

"Hilton is excellent as the establishment brother and their sibling tensions are well caught: they regress into angry little boys when they fight," write Akbar in The Guardian.

Clive Davis of The Times said Hilton "outshone" Smith and brings "a snarl to Stockmann's establishment-minded brother".

He only awarded the show two stars overall, however, writing: "Ostermeier's sophomoric attempt to drag the Norwegian playwright into the 21st century is so clumsy it might almost be part of some sinister conservative plot to kill off left-wing theatre once and for all.

"The big query rattling around in my mind," he concluded, "was who would pay £175 or more for a stalls seat just to call for the end of capitalism as we know it."

Smith last performed in the West End in 2019 in the Old Vic's production of climate change drama Lungs alongside Claire Foy.

The pair also starred alongside each other in the first two series of Netflix's The Crown


Palworld Embraces its Unconventional Morality with Refreshing Ease

 Palworld Embraces its Unconventional Morality with Refreshing Ease

In a world of creature collectors that present things as cheerful, Palworld offers a darker, more honest perspective.




Did you catch wind of this animal gatherer game that has been disturbing individuals recently? In it, you catch wild creatures, driving them out of their living spaces and into battling others, and even variety them for individual addition. A considerable lot of the animals have dull histories including demise and evisceration. The cuddly plans of the animals misrepresent the real essence of a world that goes after its natural life for notoriety and fortune. It's naturally turned into a lightning pole of analysis, where gamers looking for a healthy, comfortable experience are rather left to defy these mimicked analogs of genuine creature double-dealing. It's been an awkward encounter most definitely, yet, hello, that is Pokemon for you.


Goodness, did you suppose I implied Palworld? Not a chance. Without precedent for the class, similarly, as I'm mindful, an animal gatherer game has taken ownership of its double-dealing as-interactivity frameworks - and I value the genuineness.


In Palworld, the most recent in a long queue of Pokemon-enlivened games, the generally omnipresent mental cacophony between what a game in this sort says versus what it shows has at last shut. It should be the most critical animal gatherer I've at any point played, and that is a reviving viewpoint in a kind so frequently making a fool of itself to introduce things as happy and sincere.




In Palworld, you actually catch creatures, you actually drive them into battling different creatures, and you even work them deep down in a headquarters that is portrayed as something more like a sweatshop or even a work camp for political detainees. It's dull. More obscure than Pokemon, or TemTem, or any of the numerous animal authorities that have preceded it.


Yet, none of those ancestors, every one of which was possibly named a family game and publicized as "healthy," was intended to recognize that gap between the gross ramifications of its reality and its lively show tossed over it like a charming toss cover on a disgusting lounge chair. Truth be told, they were apparently made with the expectation that nobody would check out at them through that specific focal point.

Yet, Palworld isn't humiliated or modest. It surely isn't bright. You can choose to deteriorate Buddy's responsibility from "ordinary" to higher settings called "savage" and "merciless" as they're compelled to art and homestead for your benefit, in the long run permitting you to computerize many in-game cycles utilizing, straightforwardly, their hard work. From this, the Buddies can become ill with pressure ulcers. They can experience the ill effects of misery. They can, as per an in-game estimation, really lose their psyches.


You likewise catch them by whipping them with your own clenched hands or skirmish weapons to debilitate them, and as though the substitute for dogfighting this classification regularly portrays wasn't sufficient, Palworld even allows you to involve one of them as a living (and quite crying) projectile safeguard. Another Buddy is formed like a noose and named Hangyu, with a history that incorporates genuine human torment. It's beyond preposterous, ostensibly odd. In any case, damn is it fair.

I take a gander at Palworld and I don't see an instance of "edgelord" humor trying to get snickers from a particularly troubling dreamland, as some have put it. Neither do I see a gnawing parody on this sort's propensity for mental cacophony, nor the computer game industry's ongoing fixation on ethically dim screw-ups who do terrible things yet in some cases regret them. I don't for even a moment believe it's intended to express something about the monetary frameworks and the double-dealing of the labor force that comes in various flavors all over the planet and which it is, it just so happens, depicting in each side of its open world. I don't think Palworld needs to express anything by any means.


I think Palworld is a game that takes components from significant games and classes - Pokemon, present-day Zelda, and endurance creating, to be specific - and tosses them into a pot trying to count Steam lists of things to get and sell duplicates. That is all there is to it. Palworld doesn't propose its improvement group has pondered the seriousness of its story universe except for the way that eliminating a great deal of the ethical contemplations straightforwardly benefits the ongoing interaction circle. It's more enjoyable to computerize the cultivating framework, so on the off chance that you can give your Buddies a role as captives with that in mind, the game is better for it, and designer Pocketpair appears to accept.

Though other animal gatherers have shown an inclination to recolor its hazier components in brilliant tints and trust nobody scratches off the paint, Palworld is concealed in pitch darkness and barely cares about it. It is indecent, thus it seems like it exists beyond analysis, on this unmistakable subject in any case. I feel like Ron Burgundy when his canine eats his food, "I'm all not even frantic. That is astounding." Playing Palworld gives an unmistakably skeptical impression, and it's working, as the group is partaking in a gigantic presentation on Steam and Xbox and Palworld has proactively sold north of 1,000,000 duplicates in its initial eight hours.

Pocketpair saw what worked in a portion of the medium's best games, it applied them to its down, and never did it want to gloss over the clearly manipulative acts of its Buddy Tamers. It inclined toward them. This is what it would resemble, I sense it saying. A game exposes everything in the pursuit to become well-known and bring in cash. It's critical, awkward, and unethical. In any case, in contrast to Pokemon and the rest, essentially it doesn't imagine.

Go To Palworld...

How to Increase the Marketability of Beef-on-Dairy Calves

How to Increase the Marketability of Beef-on-Dairy Calves

How to Increase the Marketability of Beef-on-Dairy Calves


Many farms have become more innovative over the past few years by implementing beef genetics into their breeding programs. There have been two main advantages to adopting beef on dairy: management of replacement numbers and increased market value of the calves leaving the farm. A Wisconsin study found that 65% of the farmers surveyed sell their dairy beef crosses within the first week of birth, while 12.5% raised them to finish. No matter when beef cross calves are being marketed, steps can be taken to make them more marketable.
Don't Skip Day One of Calf Care

The calves are not staying on the farm, but they should be treated like any other replacement animal. Dip navels with 7% iodine, administer proper vaccinations, and feed high-quality colostrum. Colostrum should be greater than 50 IgG to be considered high quality. Some farms have concerns about using their high-quality colostrum on calves that may leave the farm. Many farms have had luck keeping their colostrum stocked by saving 50 to 70 lgG colostrum for market calves and greater than 70 for replacement heifers. Just like with replacement heifers, ensure colostrum is fed within a couple of hours of birth.

 Track Calf Growth

For those marketing-weaned calves, track average daily gain. Calves should have an average daily gain of approximately 1.5 lbs per day or double their birth weight by 8 weeks of age. Tracking weights weekly by using a weigh tape or portable scale will help determine whether these goals will be met. Collecting calf weights will also help determine when to vaccinate. Respiratory vaccinations should be given between 400 and 500 pounds. Ensure vaccinations are given at least two weeks before being transported from the farm.

 Keep Health Records

Health records are extremely important when selling calves to a private buyer or through a contract. No matter what age the calves are marketed, buyers want to see that the calves are well cared for. Keep track of and provide vaccination and processing records. Signs of navel infections and respiratory disease will decrease the calf's value. By collecting passive transfer for each calf, the farm can prove that the calves were given high-quality colostrum to set them up for future success. Being able to prove that providing the buyer with healthy calves by providing health records and sound calves will make your calves more marketable.

Bucs balanced in eliminating Eagles, Lions next

Bucs balanced in eliminating Eagles, Lions next

 The Tampa Bay Buccaneers ensured there would be a new representative from the NFC in the Super Bowl by beating the Philadelphia Eagles 32-9 in the wild-card round on Monday night at Raymond James Stadium.

Baker Mayfield joined Tom Brady (three times) as the only quarterback in the Buccaneers' history with 300-plus passing yards in a playoff game.

Here's a look at the top storylines for both teams in Monday's matchup:

Tampa Bay Buccaneers


Playing in his third career playoff game and first with the Bucs, quarterback Baker Mayfield threw for three touchdowns of 56, 44 and 23 yards while coach Todd Bowles' defense punctuated a dominant performance with a third-quarter safety by outside linebacker Anthony Nelson.

The matchup was a rematch from Week 3, when the Eagles handed the Bucs their first loss of the season. But this time, with home-field advantage after winning the NFC South in the regular season and locking up the No. 4 seed, the Bucs were impressive on both sides of the ball.

Mayfield battled both rib and ankle injuries but completed 22 of 36 passes for 337 yards and no interceptions, while the defense held the Eagles to 275 yards. The defense sacked Jalen Hurts three times, had six quarterback hits and held the Eagles to 41 rushing yards after they were gashed by the Bucs for 201 yards previously.


Baker Mayfield helped lead the Buccaneers to the NFC divisional round. 

Promising trend: Getting off the field. The Eagles went 0-for-9 on third downs and 0-for-2 on fourth, and despite surrendering a 55-yard pass to DeVonta Smith that set up a 5-yard touchdown pass by Hurts, inside linebacker K.J. Britt prevented a quarterback sneak on the ensuing 2-point conversion attempt from the 1-yard line after an offside penalty on Zyon McCollum on the extra point attempt. Hurts was 34-of-37 on the "tush push" when needing 1 yard or less entering the game.

Buy on a breakout performance: On third-and-7 with 5:59 to go in the first quarter, Mayfield connected with a wide-open David Moore on a crossing route for a 44-yard touchdown. It was Moore's second catch of the first half, as he ended the game with two catches for 66 yards. Despite a 52-yard touchdown reception to close out the Bucs' Week 15 win over the Green Bay Packers, Moore had only 94 yards in the regular season.

Troubling trend: The offense looked far more in rhythm than the last two weeks to end the regular season, but they were plagued by drops, with six in the first half alone -- three from tight end Cade Otton and one each by wide receiver Mike Evans and running backs Chase Edmonds and Rachaad White. -- Jenna Laine

Philadelphia Eagles

The Eagles' collapse is complete, and now comes the hard part: figuring out how to move forward as an organization. Issues that plagued the Eagles down the stretch bit them again in Monday's wild-card playoff loss to the Bucs, such as poor tackling, defensive deficiencies over the middle of the field and inconsistent offensive output.

They were outclassed by the 9-8 Bucs and finish the season with six losses in seven games following a 10-1 start.

Getting back to the Super Bowl is hard -- no NFC team since the 1974 Minnesota Vikings lost it one year and got back to the championship game the following season -- but the way this team fell off so dramatically requires further inspection from CEO Jeffrey Lurie and the Eagles' brass.

Jalen Hurts and the Eagles lost six of their last seven games to end the season.

He must decide if the finger-pointing that set in almost as soon as the losing did was a natural byproduct of a talented locker room frustrated with underperforming amid high expectations or something deeper. Lurie will have to decide if coach Nick Sirianni is the right man to shepherd the group back to the top of the standings and get quarterback Jalen Hurts back on an MVP trajectory.

A key offseason for the Eagles begins now.

Pivotal play: Facing a third-and-6 near his own goal line late in the third quarter, Hurts drifted into the end zone and was taken down by linebacker Anthony Nelson. Hurts threw the ball away at the last second but was flagged for intentional grounding, resulting in a safety. That pushed the Bucs' lead to 18-9, and Tampa scored a touchdown on the ensuing possession to help seal the win.

Biggest hole in the game plan: The messaging from the coaching staff entering the game was that they wanted to play with physicality and lean on the strength of their team and the offensive and defensive lines. Left tackle Jordan Mailata called running the ball "critical" and the key to winning the game. Yet after two runs to open the game, Philadelphia ran it just three more times the rest of the first half for a total of five carries for 17 yards. It was their second-fewest rushing attempts in any half this season. The Eagles ran for 201 yards in their Week 3 matchup against the Buccaneers.

Promising trend: DeVonta Smith is the first player in Eagles history to record 100 receiving yards in back-to-back playoff games (Smith had 100 receiving yards in Super Bowl LVII). Smith is also the third player in Eagles franchise history with multiple 100-yard receiving games in the postseason, joining Keith Jackson and Fred Barnett. His 55-yard grab late in the second quarter set up the Eagles' lone touchdown of the first half. -- Tim McManus


An Enemy of the People: Matt Smith says audiences left in tears by new production

Matt Smith plays a doctor who will not be silenced by his community after he makes a shocking discovery By Yasmin Rufo BBC News Audience mem...